Monday, 2 June 2014

Cave of Forgotten Dreams: A Found Poetry Adventure

Hey readers!  As some of you know, I'm in between drafts.  Yep, draft II is done and is somewhere out there being looked at by various powers that be.  This is exciting.  This is intense.  Life hangs in a balance. I have left my fate temporarily in the hands of others! AAAAH.

Anyhow, to maintain sanity and also keep the creative juices flowing, I went on a Found Poetry Adventure today.  For those of you who are new to found poetry, this is basically the art of finding words/phrases in the world (on signs, in advertisements, in books, in somebody else's poetry, etc. - anywhere really!) and rearranging them to make a poem.  I walked from Hampstead to Camden and made a note of different words/phrases that caught my eye.  Once I got home, I rearranged the words until they seemed to tell a story/make some kind of sense.  I'm no poet by any stretch of the imagination, but it was great fun to play with language in a way that I'm not used to.  I'd highly recommend this practice to anyone looking for a short, fun creative project to fill the space between larger writing projects (or even if you just need a small brain break from your MS).

Here's the result (and I'd love to see your results if you do this, too!):

Cave of Forgotten Dreams

The void

A wall of glass separated me                                    from the rest of the world*

Harmony - receive your free bottle at the edge of tomorrow!



For access to the elephant house, 
ring with two tings

I ran reading:

L'art de vivre en remontant la rivière** - 
Be careful at bends and entrances
Jam with the maniacs
Adopt an object
Get rich or try sharing the world's end

The wound is the place where the light enters you***

Nothing ever stays the same****



*/**** These phrases both came from Eva Schloss's memoir, which I'm reading at the moment, called After Auschwitz.
** Translation: "the art of living going back up the river"
***: This is a quote from Rumi

Wednesday, 30 April 2014

A Journey To The Darker Side of Other People's Lives: Meet Chris Macfarlane


Ladies and gents! You got a chance to meet yours truly on the blog last week, so it is now my pleasure to introduce you to one of my most beloved MA colleagues and fellow Where the Wild Words Are author, Chris Macfarlane.  Last year I had the pleasure of sharing a workshop group with Chris, and I was always struck both by her unparalleled sense of story both in her own writing and in her feedback to others.  I'm thrilled that she decided to develop her piece, A Girl Called Harry, into a full manuscript.  It's a book for teens with a strong moral compass and I'm getting excited right now imagining this novel finding its way into the hands of its intended readership! So, without further ado, I'll let the woman speak for herself.  Dear readers, I give you Chris Macfarlane!

Friday, 25 April 2014

Finding her Voice: Introducing Yael Tischler

Afternoon, all!
I'm really excited today, because I get to kick off this run of introductions by interviewing my good friend and co-conspirator Yael Tischler! When I first met Yael, back in September 2012, it was clear within about a minute that we were going to be great friends. Since then we've co-written stories, embarked on numerous adventures, invited you all to join our barricade, and finished some MAs into the bargain.
That alone would be excellent grounds for an interview. But Yael isn't just one of my best friends, she's also someone whose stories always excite me - a fantastically talented writer with a real gift for getting into characters lives and voices. And the reason I'm so excited about today? I honestly can't wait for the rest of the world to get the chance to read her writing.

So, ladies and gentlemen. I give you... Yael Tischler!



Where The Wild Writers Are...


As Harriet reminded us a few weeks ago, summer is well on its way (though you wouldn't know it from the weather outside). And so too is May 13th, when myself and the other writers from Bath Spa's MA in Writing for Young People will be launching our Where the Wild Words Are anthology and setting out into the as-yet uncharted waters of the publishing industry. It's simultaneously exciting and terrifying, and I really can't wait!

(picture courtesy of the fantastic Harriet Balfour Evans)


But of course, before we can launch the anthology in style, there are a few more preparations to be made. Pitches need honing, some books still need finishing, and we clearly can't start transforming the venue until the day intself. And, while the official countdown runs on the anthology site, we thought we'd do a countdown of our own on the Chronicles of Word and give anyone reading the chance to get to know the writers a bit in advance. In other words, for the next three weeks we will be interviewing each other! 

So, are you sitting comfortably? Then I'll begin... 

Thursday, 3 April 2014

Summer’s on its way! …Sort of.



Okay, so the picnic blanket is still mouldy and crumpled up in the shed, temperatures are still verging on arctic, and your sunglasses are god knows where, BUT things on the YA scene couldn't be hotter (not even counting those pictures of Theo James at the Divergent premiere... enough said). 
Here are some latest releases that I can’t wait to get my hands on:

Aside from having the best title of 2014 so far, The 57 Lives of Alex Wayfare revolves around one of the most exciting themes known to books, erm... ever. Of course, any book about time travel would struggle NOT to be awesome, but this one looks particularly promising. Geeky-yet-quietly-hilarious Alex is trying to get rid of her weird visions of the past – a task gets infinitely harder when it turns out they’re actual scenes from her fifty six various previous lives. And if that wasn’t enough to deal with, there's someone on her tail, someone who's biding their own time before going in for the kill...

Coming in a close second for Most Awesome Title of The Year (and arguably, Most Awesome Cover of the Year) is The Strange and Beautiful Sorrows of Ava Lavender. It’s a moving account of a girl born with bird wings, struggling in her innocence to make sense of the world around her. Leslye Walton’s rich, beautiful language explores love, nostalgia, hope and sorrow. Sure to be a tearjerker; prepare accordingly.

And if Gayle Forman’s new instalment Just One Year is filled with even a smidge of the tension, dialogue and heart-melting detail of its predecessor, Just One Day, you’re going to want to keep those tissues out. This time, we’re getting up close and personal with the charming and somewhat elusive Willem de Ruiter. 
Romantics, please form an orderly queue. 


My final recommendation isn’t out until summer, but I’m sure it’ll be worth the wait…

Kate Karyus Quinn has a knack for the eerie and the terrifying – if you read her last book, Another Little Piece, you’ll know what I mean. But the concept of (Don't You) Forget About Me is pure, twisted brilliance.
Gardnerville is an near-utopian paradise. Except for the fact that, every one year in four, the town’s fuel source exacts its revenge on its teens, imbuing them with hostile urges that make them commit horrifying acts. To save her sister - one of its victims - Skylar must lift herself out of her grief and drug-induced stupor, and find a way to finally set the town free.
Roll on June! *claps wildly*


So what’s on your YA reading list this month? Any recommendations? Don't forget to add them in the comments sections below...

Thursday, 6 February 2014

Beyond the barricade is there a world you long to see?


Friends:
It is time for us all to decide who we are.  No, not really.  (I seriously hope most of us know this already.  If not, probably a good time to hop to it.)  It is actually time for us (Yael & Cinders) to introduce you to a concept that is very close to our hearts. It is time to introduce you to the “Diversity Barricade.”




You might be side-eyeing the computer right now, wondering what dead, fictional revolutionaries and barricades have to do with the children’s book industry. We suppose this confusion is warranted, but let us explain.  


First, take a look at this wonderfully illustrated chart from Tina Kügler, illustrating the current level of diversity in children’s fiction:






Depressing, no?

We might not be Enjolras*, but recognizing the lack of diversity in children’s publishing gets our blood boiling with revolutionary fervour.  

Monday, 13 January 2014

This Post is Rated "R"... for Rejection


Well hello lovely readers! I thought I’d start the New Year off by posting something nice and cheery.  The topic of this post… drumroll please… is rejection!

Why are you qualified to write this post, you may ask? Well, surprising but true: I have been rejected from many things in my life: literary magazines, universities, boyz, jobs (gosh, a whole lot of jobs actually! Talk to me about last November some other time… Trying to find a job in London is pretty brutal!).  Hec, I’ll probably be able to add agents and publishers to the list once I start submitting my manuscript later this year.  Rejection is practically an occupational hazard of being a(n aspiring) published author.

If you’re anything like me (that is, your skin is the thickness of rice paper and Achieving Things is very very important to your fragile ego), REJECTION SUCKS.  Some people brush off rejection, as they are bigger than that.  I commend those people.  I am not bigger than that.  In fact, many times, I find myself on the floor, beating my fists against the carpet, moaning, “Why me? Why me?” (#toughfirstworldproblems).  At the end of the day, though, I peel myself off the floor and keep going.  Why? Because rejection is a side-effect of the journey to do difficult/awesome things.  It’s a sign that you’re doing something right, because you’re putting yourself out there in a challenging landscape.  It’d be worrying if you never got rejected, because either you're the most awesome person to ever be born and better than everyone else (unlikely, but if that’s the case, congrats!) or you aren’t pushing yourself.  Rejection is normal, part of the process of getting where you want to be, and it happens to basically everyone. 

But does rejection still suck? YES. 

So, I asked you - my fellow bloggers, readers, and Facebook and Twitter buddies - to weigh in on how you cope with rejection.  The response was overwhelming – I don’t think I’ve ever had so many comments on a post! Rejection is such a universal experience that everyone had something to say about it.  (And by the way, thanks to everyone who wrote back. You’re all superstars.)

So what did you all have to say?

Tuesday, 24 December 2013

It's that time of year already...



Wishing all our wonderful readers
an excellent, book-filled, Christmas Holiday!

With best wishes, 
from all the Chroniclers 
xxx

Thursday, 21 November 2013

Put on Your YA-rmulkah, It's Time for Channukah: 8 Crazy Nights of YA (A.K.A. The Chronicles of Word Channukah Special)


Ever feel like there are just SO MANY AWESOME YA BOOKS out there, it’s like Channukah’s come early this year?

Well, you’d be right.  Channukah has come early this year.  I’ll be lighting the first candle in just under a week on November 27th, along with everyone who got a nod in Adam Sandler’s classic musical litany. 

In fact, in honour of the Festival of Lights, I’ve written my own version of the Adam Sandler Channukah song, featuring Jewish YA authors past and present.  Cuz I’m just that cool:

Meg Rosoff spins the dreidel
And Cassandra Clare – what a fine shayna meidel*
Guess who’ll be lighting a Channukah candler?

Tuesday, 19 November 2013

Spin Out: vb. to become utterly perplexed and disorientated as a result of one's environment.


Sport in my family has never been optional. I loved it as a child, went through a rocky patch with it as a teenager, formed a firm acquaintance with it at university, and we’ve been good friends ever since.
I might even go as far to say I enjoy it.
So when my sister asked me if I wanted to join her hour-long spinning class this Sunday morning, I agreed. I was intrigued to see what the hype was about, and why so many people – my sister included – got inexplicably addicted to cycling nowhere in a dark room. Could I put the madness down to endorphins?

I’d like to mention at this point that the class was being held in Bondi, the vigorously pumping heart of Australia, home to more wholesome, clean-living people than I have ever seen in one place. You’d be hard pushed to find someone who isn’t wearing sports clothes, drinking a power juice, or powerwalking, or doing all three at once.

As I step inside the gym’s spin studio, I get the overwhelming feeling I’m about to board a rollercoaster ride. Everything is dark except for the UV glow of people’s shoelaces, all I can see is row upon row of powerful, sleek machines, and now that I’m in, there’s clearly no turning back.

My body is already preparing for a G-force experience, so I’m quietly eyeing up the safest back row seat, when my sister waves to me from the front row.
There are plenty of other bikes to choose from, and I trudge up the aisle to ask her why she’s chosen there.
‘Oh, I didn’t want to be near the fan,’ she explains.
‘Hmm?’ I take a deep breath and ask her, in my most patient voice, to explain. It turns out that my sister has been told - from a friend who may or may not even be a gym goer - that more sweating equals a better workout.
What?
Now, I may be wrong, but I think the logic of that has been lost in translation somewhere. I try to explain to my sister that I don’t think a fan would put her fitness in jeopardy, but she waves my explanation off, and by now it’s too late for me to move. So I just roll my eyes (somewhat pointlessly in the dark) and slot my feet into the pedals, trying to fumble my towel, keys and bottle into the holder without dropping anything. It’s the first time I have been in the front row since I was forced to in Year 3, and I quickly remember why I hate it so much.

The room is already heating up and looking around, I see why. Most people are already cycling ferociously in a pre-warm-up warm-up, and some are even discussing/boasting about the classes they’ve just come from. I marvel at the sight of them. They’re like a completely different species.

When the instructor gets going on the mic, and the first bassy remix starts booming through the speakers, it no longer feels like a rollercoaster ride. It’s now the back room of a nightclub, Saturday, at about 3 in the morning. The time when it’s pretty much empty, save for the group of hard-core, still-drunk dancers still making shapes on the dance floor. I half expect to see some sullen-faced cleaner going around with a black bin liner, picking up plastic cups and half-empty bottles of VK Blue.

Thoughts like these run through my mind as I’m repeatedly wrenched out of my comfort zone and looking desperately for distractions. Every time the instructor tells me to turn the resistance dial up, I’m reminded of those torture machines that stretch out their victims, cranking the wheel round, inch by painful inch.

But after a while, the instructor’s positivity becomes oddly contagious, because I find myself - in a deeply uncomfortable way - enjoying it. This enthusiasm quickly wanes about halfway in (I can only assume we’re halfway – can’t read my watch), because by now I’m absolutely roasting and I’ve drunk all my water. The faces and arms of everyone around me are shining with sweat, and I’m envious. Even on the verge of collapsing off the bike, I’m still bone dry – not because I’m fit in the least, but because my body apparently doesn’t know how to cool itself down like normal people. By now, every pore of my skin feels like it’s out of breath. Every time a gust of wind from a neighbouring fan blows my way, I feel a sort of boundless joy that I only ever experience walking down a refrigerator aisle during a heat wave. It also looks like I’m not even working half as hard as the others, to the point that I’m getting paranoid the instructor is judging me. It’s just not fair.

But I’m getting more and more lightheaded by the minute, and soon, I stop caring. I stop thinking about anything at all. In fact, it takes me a while to realise the class has ended, and I only realise when people start to leave, no doubt on their way to another class, their towels sodden, their skin still enviably glossy.

I turn to say something to my sister – expressing my need to find water, or a patch of floor to collapse on - but my words come out as a nonsensical giggle. I try again and fail. Great. Whilst everyone else is experiencing that post-workout ‘rush,’ I seem to be entering the early stages of delirium. I use my towel to pat the pathetic dampness on the back of my neck and wonder whether I’m going mad. In answer to my question, the instructor comes over and asks me what I thought. Before I know what I’m saying, I tell her that I loved it. And that I’ll definitely be booking in for the next session.

Tomorrow.


The weirdest thing is, I really mean it.

Friday, 8 November 2013

News and Celebrations...

Ah, November.
It seems only yesterday we were cracking on with the course, beginning to experiment with different types of fiction - laughing with CJ, discussing some book or other with Steve or asking our Mama Bear Julia for advice and support. (Lucy came later, as she was in Australia).
Now we are all grown up writers and yesterday evening (technically two yesterday evenings ago) we saw one of us named as Most Promising Writer of the Year by the United Agents Prize, hosted by the lovely and excellent Jodie Hodges.
The winner this year was the uber-talented Bec Treveil (watch this name, you guys) whose intriguing concept of Girl Who Can Smell Emotions (someone will have to tell me the title at some point) charmed Jodie's ninja-agent instincts with it's wonderful use of voice and intriguing concept... The equally excellent Lucinda Murray was also awarded an honorable mention for her beautiful prose.

Of course, now that we're here this means that the Writing For Young People class of 2013 has officially finished (if not graduated). This means nothing so very much as we won't be able to see each other in person at mutually convenient times, but I for one know I have made some very good friends for life.
THANK YOU EVERYONE.
YOU ARE ALL BRILLIANT AND I CAN'T WAIT TO BUY YOUR BOOKS.

J xxx

PS. In other news, this blog has to date achieved 2010 hits! How awesome is that??


Saturday, 2 November 2013

Demons, Daim Bars and Good Advice: The long-awaited interview with Sarah Rees Brennan...

Yael and I met Sarah Rees Brennan on Blackfriars Bridge, one late July evening.


Like all stories, the beginning comes a little before that point.

I’ve been a fan of Sarah since before she was published, back when she blogged about her road through publication and kept livejournal rolling in the aisles with regular updates of wit (sidenote: this still happens), and repeatedly threw her books at Yael until she agreed to read them.

[Yael: You will now go read them too, if you know what’s good for you.]




Sarah Rees Brennan is the author of the Demon's Lexicon trilogy and the Lynburn Legacy trilogy. She's also collaborated with other big name YA authors, such as Cassandra Clare and Justine Larbalestier, is vocal about diversity in YA*, and feeds on the tears of her readers. Inevitably, we had to meet her, and we had to interview her for the blog. 

Friday, 1 November 2013

The Great NaNoWriMoBloPo. (aka Cinders weighs in on NaNo)*


It is the first of November, and so today, I must write.**

Here are the things I know.

I know that I am not alone.
All around the world, hundreds of writers are sitting down at computers (or with notepads or typewriters if they’re old school), fingers flying over the keys as they try to churn out a novel during the month of November. I know that there are 234,819 writers registered on the NaNoWriMo site, and that there are probably thousands more, like me, who haven’t registered but are throwing themselves in anyway.
I know, too, that there are other writers. My mother is doing NaBloPoMo (National Blog Posting Month) alongside my NaNoWriMo, although the internet lists months from October to May as its official date, and I know there are other people taking part in myriad similar projects. It is the month of NaNo, and I am not alone because of this, because there are a million and one others sitting at their desk right now doing the same thing as me.

Sunday, 27 October 2013

Five Reasons Why We Should Worship David Levithan

1. He can create characters you will root for desperately.

I've read quite a few books in my time that presume that you, as the reader, will root for the characters they contain. You know what I mean - those lazy narratives that have a lot of pluck but don't quite hit the mark in terms of showing you why you want this protagonist to succeed. David Levithan does not presume. His characters are so real, so imperfect that you believe in them completely, and want nothing more for them to be happy.

2. He tackles vast issues without once condescending to his audience or alienating anyone or simplifying the vastness or complications of those issues.

By which I mean you are not likely to put his books down.

3. He is uncompromisingly optimistic.

It would be very easy to see nothing but darkness in the world of his characters, but Levithan's stories always look for light.
I've just finished his first novel, Boy Meets Boy in which it is quite normal for the High School's best quarterback to be a magnificent drag queen by the name of Infinite Darlene. Some reviewers have called the world of Boy Meets Boy to be a fantasy for these reasons, but I'm convinced Levithan is just looking to a not-so-distant future.

4. His prose is beautiful.

"I want to give her a good day. Just one good day. I have wandered for so long without any sense of purpose and now this ephemeral purpose has been given to me - it feels like it has been given to me. I only have a day to give - so why can't it be a good one? Why can't it be a shared one? Why can't I take the music of the moment and see how long it can last? The rules are erasable. I can take this. I can give this.
When the song is over, she rolls down her window and trails her hand in the air, introducing a new music into the car. I roll down all the other windows and drive faster, so the wind takes over, blows our hair all around, makes it seem like the car has disappeared and we are the velocity, we are the speed. Then another good song comes on and I enclose us again, this time taking her hand."

(From Every Day, Chapter 1, page 13)

5. He is very wise.

No, seriously. I feel like I was learning several great life lessons in each of his books and finding new ways to look at the world and the people in it.


Convinced? Oh good, I'm glad I've converted you. Now go and buy everything he's every written:

clicky


Monday, 21 October 2013

At the End of the World, the Ocean


I’ve been thinking about the ocean.

Not just because I’m at home in Vancouver now, though that’s definitely a part of it: I felt the pull of the ocean the other day, so I took the long way home on my bicycle. I wanted to hug the water as long as possible.  I needed to be close to it.  I felt the same thing again today – that yearning to be close to the sea.  I took the bus to Wreck Beach and danced in the sand and put my toes in the water.  It was cold, but it reminded me I was alive. 


I know I’m not the only person who feels this – my friend and fellow Chronicles of Word contributor Josh Martin and I were g-chatting about that feeling of being pulled to the sea.  Like the sea is truer compass for us than North.

But there’s another reason I’ve been thinking about the ocean.

Some of the most common writing advice (and by the way, it’s common, because it’s good) is that you should read a lot of books like the one you want to write.  So I’ve been devouring post-Apocalyptic books (especially, but not exclusively, YA) for the past year and a bit.  One thing that comes up over and over in these books about what happens after the end of the world is the ocean.  And when they talk about the ocean, it’s got a mythological, supernatural quality to it.  It’s much more than a place of natural beauty.

Saturday, 5 October 2013

A Strange Moment

In which I had a dream last night featuring an Indian girl called Nashira who, in addition to being powerful in some way, kept goats.
I figured she wanted to be put into this story I started a couple of weeks ago, but I was particularly interested in her name and where it came from - was it Nashira or Nasheera? It sounded Hindi, but when I checked out babynamesworld.com nothing came back. Then I typed "Nashira" into google, hit the first link and here's what came back:

Gamma Capricorni (γ Cap, γ Capricorni) is a giant star in the constellation Capricornus. It has the traditional name Nashira, which comes from the Arabic سعد ناشرة - sa'd nashirah for "the lucky one" or "bearer of good news".

I swear I have never seen this page in my life.
Am now somewhat freaked out and marvelling the divinous and mysterious ways of characters and how they occasionally invade your sleep to get noticed.

Saturday, 28 September 2013

Questions for The Writer in You:



This is a bit of fun for people to share in workshops/writing groups/writing sleepovers.

You are –
Your First Story was –
Your Most Favourite Word(s) –
Your Most Hated Word(s) –
Choose your notebook –
Choose your pen –
Choose your sword –
Choose your wand –
Choose your Hogwarts House -
Sing Us A Song –
Where does the time machine take you?
The first place you apparate to once you’ve taken your apparition test -
A really good line of dialogue from a recently read book –
Name three animals you’d like to be able to change into at will –
Name your superpower –
Name your instrument(s) –
Name your dance -
Name your music –
Name your element –
Name your star sign –
Name your colours -
Are you honest?
Five of your favourite books, in no order –
Five of your favourite films, in no order -
From other people’s books name your best
a)      Character
b)      Plot
c)      Writing
d)      Friendship
e)      Romance
f)       Antagonist
g)      World Building
What would like to see more of in fiction?
Name a favoured technique that you have employed to bring characters to life –
One thing you know about writing that you didn’t last year -
Fictional Characters: Snog, Marry, Cruise (you know you’ve thought about it) –
Three authors come to your house for tea –
What’s your favourite cliché?
What is your favourite ending?


Finding A Character

Picture by Linnzan on deviantart


There are many different ways to begin a story.
If you, like me, are someone who likes to begin a story with a strong character, you might find this technique useful, taught to us Chronicles writers by one of our tutors, the excellent Julia Green*. Make sure you take your time, letting the answers come to you naturally.

It goes like this:
Close your eyes.
You are in a thick fog or a mist, and everything is swirling and impenetrable.
Imagine a light. It curves the shape of the mist, making silhouettes of nothing.
And then, suddenly – one silhouette takes a real shape.
As they come towards you, they become more defined.
As the person comes towards you, let your mind do the defining by asking these questions. You’re going to notice physicality first: who is this person? What do they look like? Are they male or female or something else? What kind of skin tone do they have? Are they tall, or short? Where are they carrying their weight? How are they walking?
Where are their eyes looking?
And clothes: are they wearing clothes? Are they western clothes? Tribal clothes? Mediaeval clothes? What?
Are they wearing shoes?
How old are they?
Can you guess their name?
They’re holding something: what is it? Is it important?
Is there something coming up behind them? What is it? Who is it? A friend? An enemy? A pet?

Out of the mist, you can smell the place they’ve come from. What smells are they? Where do you think that is?
The mist is beginning to clear. You can see the landscape from which this person came. What does it look like? Is it a plain? A mountainous range? A city? A beach? The ocean?

Now you can see them, they will move past you. Are they running or walking? Where are they going? What are they doing? Are they fighting? Kissing? Writing? Playing? Climbing? Crying? Find out.

This person has a life. Feel for it.
Find these things:
-          A fear
-          A memory
-          A loss
-          A secret
-          Also: are they hiding something?
-          What do they really want?

See how far you can take a story from here. It’s amazing how your mind, forced to answer these questions in a controlled environment, will rise to the challenge of creation.
Good luck!

*In all essential ways, this is what Julia taught us, though I have taken liberties J