Tuesday, 19 November 2013

Spin Out: vb. to become utterly perplexed and disorientated as a result of one's environment.


Sport in my family has never been optional. I loved it as a child, went through a rocky patch with it as a teenager, formed a firm acquaintance with it at university, and we’ve been good friends ever since.
I might even go as far to say I enjoy it.
So when my sister asked me if I wanted to join her hour-long spinning class this Sunday morning, I agreed. I was intrigued to see what the hype was about, and why so many people – my sister included – got inexplicably addicted to cycling nowhere in a dark room. Could I put the madness down to endorphins?

I’d like to mention at this point that the class was being held in Bondi, the vigorously pumping heart of Australia, home to more wholesome, clean-living people than I have ever seen in one place. You’d be hard pushed to find someone who isn’t wearing sports clothes, drinking a power juice, or powerwalking, or doing all three at once.

As I step inside the gym’s spin studio, I get the overwhelming feeling I’m about to board a rollercoaster ride. Everything is dark except for the UV glow of people’s shoelaces, all I can see is row upon row of powerful, sleek machines, and now that I’m in, there’s clearly no turning back.

My body is already preparing for a G-force experience, so I’m quietly eyeing up the safest back row seat, when my sister waves to me from the front row.
There are plenty of other bikes to choose from, and I trudge up the aisle to ask her why she’s chosen there.
‘Oh, I didn’t want to be near the fan,’ she explains.
‘Hmm?’ I take a deep breath and ask her, in my most patient voice, to explain. It turns out that my sister has been told - from a friend who may or may not even be a gym goer - that more sweating equals a better workout.
What?
Now, I may be wrong, but I think the logic of that has been lost in translation somewhere. I try to explain to my sister that I don’t think a fan would put her fitness in jeopardy, but she waves my explanation off, and by now it’s too late for me to move. So I just roll my eyes (somewhat pointlessly in the dark) and slot my feet into the pedals, trying to fumble my towel, keys and bottle into the holder without dropping anything. It’s the first time I have been in the front row since I was forced to in Year 3, and I quickly remember why I hate it so much.

The room is already heating up and looking around, I see why. Most people are already cycling ferociously in a pre-warm-up warm-up, and some are even discussing/boasting about the classes they’ve just come from. I marvel at the sight of them. They’re like a completely different species.

When the instructor gets going on the mic, and the first bassy remix starts booming through the speakers, it no longer feels like a rollercoaster ride. It’s now the back room of a nightclub, Saturday, at about 3 in the morning. The time when it’s pretty much empty, save for the group of hard-core, still-drunk dancers still making shapes on the dance floor. I half expect to see some sullen-faced cleaner going around with a black bin liner, picking up plastic cups and half-empty bottles of VK Blue.

Thoughts like these run through my mind as I’m repeatedly wrenched out of my comfort zone and looking desperately for distractions. Every time the instructor tells me to turn the resistance dial up, I’m reminded of those torture machines that stretch out their victims, cranking the wheel round, inch by painful inch.

But after a while, the instructor’s positivity becomes oddly contagious, because I find myself - in a deeply uncomfortable way - enjoying it. This enthusiasm quickly wanes about halfway in (I can only assume we’re halfway – can’t read my watch), because by now I’m absolutely roasting and I’ve drunk all my water. The faces and arms of everyone around me are shining with sweat, and I’m envious. Even on the verge of collapsing off the bike, I’m still bone dry – not because I’m fit in the least, but because my body apparently doesn’t know how to cool itself down like normal people. By now, every pore of my skin feels like it’s out of breath. Every time a gust of wind from a neighbouring fan blows my way, I feel a sort of boundless joy that I only ever experience walking down a refrigerator aisle during a heat wave. It also looks like I’m not even working half as hard as the others, to the point that I’m getting paranoid the instructor is judging me. It’s just not fair.

But I’m getting more and more lightheaded by the minute, and soon, I stop caring. I stop thinking about anything at all. In fact, it takes me a while to realise the class has ended, and I only realise when people start to leave, no doubt on their way to another class, their towels sodden, their skin still enviably glossy.

I turn to say something to my sister – expressing my need to find water, or a patch of floor to collapse on - but my words come out as a nonsensical giggle. I try again and fail. Great. Whilst everyone else is experiencing that post-workout ‘rush,’ I seem to be entering the early stages of delirium. I use my towel to pat the pathetic dampness on the back of my neck and wonder whether I’m going mad. In answer to my question, the instructor comes over and asks me what I thought. Before I know what I’m saying, I tell her that I loved it. And that I’ll definitely be booking in for the next session.

Tomorrow.


The weirdest thing is, I really mean it.

Friday, 8 November 2013

News and Celebrations...

Ah, November.
It seems only yesterday we were cracking on with the course, beginning to experiment with different types of fiction - laughing with CJ, discussing some book or other with Steve or asking our Mama Bear Julia for advice and support. (Lucy came later, as she was in Australia).
Now we are all grown up writers and yesterday evening (technically two yesterday evenings ago) we saw one of us named as Most Promising Writer of the Year by the United Agents Prize, hosted by the lovely and excellent Jodie Hodges.
The winner this year was the uber-talented Bec Treveil (watch this name, you guys) whose intriguing concept of Girl Who Can Smell Emotions (someone will have to tell me the title at some point) charmed Jodie's ninja-agent instincts with it's wonderful use of voice and intriguing concept... The equally excellent Lucinda Murray was also awarded an honorable mention for her beautiful prose.

Of course, now that we're here this means that the Writing For Young People class of 2013 has officially finished (if not graduated). This means nothing so very much as we won't be able to see each other in person at mutually convenient times, but I for one know I have made some very good friends for life.
THANK YOU EVERYONE.
YOU ARE ALL BRILLIANT AND I CAN'T WAIT TO BUY YOUR BOOKS.

J xxx

PS. In other news, this blog has to date achieved 2010 hits! How awesome is that??


Saturday, 2 November 2013

Demons, Daim Bars and Good Advice: The long-awaited interview with Sarah Rees Brennan...

Yael and I met Sarah Rees Brennan on Blackfriars Bridge, one late July evening.


Like all stories, the beginning comes a little before that point.

I’ve been a fan of Sarah since before she was published, back when she blogged about her road through publication and kept livejournal rolling in the aisles with regular updates of wit (sidenote: this still happens), and repeatedly threw her books at Yael until she agreed to read them.

[Yael: You will now go read them too, if you know what’s good for you.]




Sarah Rees Brennan is the author of the Demon's Lexicon trilogy and the Lynburn Legacy trilogy. She's also collaborated with other big name YA authors, such as Cassandra Clare and Justine Larbalestier, is vocal about diversity in YA*, and feeds on the tears of her readers. Inevitably, we had to meet her, and we had to interview her for the blog. 

Friday, 1 November 2013

The Great NaNoWriMoBloPo. (aka Cinders weighs in on NaNo)*


It is the first of November, and so today, I must write.**

Here are the things I know.

I know that I am not alone.
All around the world, hundreds of writers are sitting down at computers (or with notepads or typewriters if they’re old school), fingers flying over the keys as they try to churn out a novel during the month of November. I know that there are 234,819 writers registered on the NaNoWriMo site, and that there are probably thousands more, like me, who haven’t registered but are throwing themselves in anyway.
I know, too, that there are other writers. My mother is doing NaBloPoMo (National Blog Posting Month) alongside my NaNoWriMo, although the internet lists months from October to May as its official date, and I know there are other people taking part in myriad similar projects. It is the month of NaNo, and I am not alone because of this, because there are a million and one others sitting at their desk right now doing the same thing as me.

Sunday, 27 October 2013

Five Reasons Why We Should Worship David Levithan

1. He can create characters you will root for desperately.

I've read quite a few books in my time that presume that you, as the reader, will root for the characters they contain. You know what I mean - those lazy narratives that have a lot of pluck but don't quite hit the mark in terms of showing you why you want this protagonist to succeed. David Levithan does not presume. His characters are so real, so imperfect that you believe in them completely, and want nothing more for them to be happy.

2. He tackles vast issues without once condescending to his audience or alienating anyone or simplifying the vastness or complications of those issues.

By which I mean you are not likely to put his books down.

3. He is uncompromisingly optimistic.

It would be very easy to see nothing but darkness in the world of his characters, but Levithan's stories always look for light.
I've just finished his first novel, Boy Meets Boy in which it is quite normal for the High School's best quarterback to be a magnificent drag queen by the name of Infinite Darlene. Some reviewers have called the world of Boy Meets Boy to be a fantasy for these reasons, but I'm convinced Levithan is just looking to a not-so-distant future.

4. His prose is beautiful.

"I want to give her a good day. Just one good day. I have wandered for so long without any sense of purpose and now this ephemeral purpose has been given to me - it feels like it has been given to me. I only have a day to give - so why can't it be a good one? Why can't it be a shared one? Why can't I take the music of the moment and see how long it can last? The rules are erasable. I can take this. I can give this.
When the song is over, she rolls down her window and trails her hand in the air, introducing a new music into the car. I roll down all the other windows and drive faster, so the wind takes over, blows our hair all around, makes it seem like the car has disappeared and we are the velocity, we are the speed. Then another good song comes on and I enclose us again, this time taking her hand."

(From Every Day, Chapter 1, page 13)

5. He is very wise.

No, seriously. I feel like I was learning several great life lessons in each of his books and finding new ways to look at the world and the people in it.


Convinced? Oh good, I'm glad I've converted you. Now go and buy everything he's every written:

clicky


Monday, 21 October 2013

At the End of the World, the Ocean


I’ve been thinking about the ocean.

Not just because I’m at home in Vancouver now, though that’s definitely a part of it: I felt the pull of the ocean the other day, so I took the long way home on my bicycle. I wanted to hug the water as long as possible.  I needed to be close to it.  I felt the same thing again today – that yearning to be close to the sea.  I took the bus to Wreck Beach and danced in the sand and put my toes in the water.  It was cold, but it reminded me I was alive. 


I know I’m not the only person who feels this – my friend and fellow Chronicles of Word contributor Josh Martin and I were g-chatting about that feeling of being pulled to the sea.  Like the sea is truer compass for us than North.

But there’s another reason I’ve been thinking about the ocean.

Some of the most common writing advice (and by the way, it’s common, because it’s good) is that you should read a lot of books like the one you want to write.  So I’ve been devouring post-Apocalyptic books (especially, but not exclusively, YA) for the past year and a bit.  One thing that comes up over and over in these books about what happens after the end of the world is the ocean.  And when they talk about the ocean, it’s got a mythological, supernatural quality to it.  It’s much more than a place of natural beauty.

Saturday, 5 October 2013

A Strange Moment

In which I had a dream last night featuring an Indian girl called Nashira who, in addition to being powerful in some way, kept goats.
I figured she wanted to be put into this story I started a couple of weeks ago, but I was particularly interested in her name and where it came from - was it Nashira or Nasheera? It sounded Hindi, but when I checked out babynamesworld.com nothing came back. Then I typed "Nashira" into google, hit the first link and here's what came back:

Gamma Capricorni (γ Cap, γ Capricorni) is a giant star in the constellation Capricornus. It has the traditional name Nashira, which comes from the Arabic سعد ناشرة - sa'd nashirah for "the lucky one" or "bearer of good news".

I swear I have never seen this page in my life.
Am now somewhat freaked out and marvelling the divinous and mysterious ways of characters and how they occasionally invade your sleep to get noticed.