Thursday, 6 February 2014

Beyond the barricade is there a world you long to see?


Friends:
It is time for us all to decide who we are.  No, not really.  (I seriously hope most of us know this already.  If not, probably a good time to hop to it.)  It is actually time for us (Yael & Cinders) to introduce you to a concept that is very close to our hearts. It is time to introduce you to the “Diversity Barricade.”




You might be side-eyeing the computer right now, wondering what dead, fictional revolutionaries and barricades have to do with the children’s book industry. We suppose this confusion is warranted, but let us explain.  


First, take a look at this wonderfully illustrated chart from Tina Kügler, illustrating the current level of diversity in children’s fiction:






Depressing, no?

We might not be Enjolras*, but recognizing the lack of diversity in children’s publishing gets our blood boiling with revolutionary fervour.  

Monday, 13 January 2014

This Post is Rated "R"... for Rejection


Well hello lovely readers! I thought I’d start the New Year off by posting something nice and cheery.  The topic of this post… drumroll please… is rejection!

Why are you qualified to write this post, you may ask? Well, surprising but true: I have been rejected from many things in my life: literary magazines, universities, boyz, jobs (gosh, a whole lot of jobs actually! Talk to me about last November some other time… Trying to find a job in London is pretty brutal!).  Hec, I’ll probably be able to add agents and publishers to the list once I start submitting my manuscript later this year.  Rejection is practically an occupational hazard of being a(n aspiring) published author.

If you’re anything like me (that is, your skin is the thickness of rice paper and Achieving Things is very very important to your fragile ego), REJECTION SUCKS.  Some people brush off rejection, as they are bigger than that.  I commend those people.  I am not bigger than that.  In fact, many times, I find myself on the floor, beating my fists against the carpet, moaning, “Why me? Why me?” (#toughfirstworldproblems).  At the end of the day, though, I peel myself off the floor and keep going.  Why? Because rejection is a side-effect of the journey to do difficult/awesome things.  It’s a sign that you’re doing something right, because you’re putting yourself out there in a challenging landscape.  It’d be worrying if you never got rejected, because either you're the most awesome person to ever be born and better than everyone else (unlikely, but if that’s the case, congrats!) or you aren’t pushing yourself.  Rejection is normal, part of the process of getting where you want to be, and it happens to basically everyone. 

But does rejection still suck? YES. 

So, I asked you - my fellow bloggers, readers, and Facebook and Twitter buddies - to weigh in on how you cope with rejection.  The response was overwhelming – I don’t think I’ve ever had so many comments on a post! Rejection is such a universal experience that everyone had something to say about it.  (And by the way, thanks to everyone who wrote back. You’re all superstars.)

So what did you all have to say?

Tuesday, 24 December 2013

It's that time of year already...



Wishing all our wonderful readers
an excellent, book-filled, Christmas Holiday!

With best wishes, 
from all the Chroniclers 
xxx

Thursday, 21 November 2013

Put on Your YA-rmulkah, It's Time for Channukah: 8 Crazy Nights of YA (A.K.A. The Chronicles of Word Channukah Special)


Ever feel like there are just SO MANY AWESOME YA BOOKS out there, it’s like Channukah’s come early this year?

Well, you’d be right.  Channukah has come early this year.  I’ll be lighting the first candle in just under a week on November 27th, along with everyone who got a nod in Adam Sandler’s classic musical litany. 

In fact, in honour of the Festival of Lights, I’ve written my own version of the Adam Sandler Channukah song, featuring Jewish YA authors past and present.  Cuz I’m just that cool:

Meg Rosoff spins the dreidel
And Cassandra Clare – what a fine shayna meidel*
Guess who’ll be lighting a Channukah candler?

Tuesday, 19 November 2013

Spin Out: vb. to become utterly perplexed and disorientated as a result of one's environment.


Sport in my family has never been optional. I loved it as a child, went through a rocky patch with it as a teenager, formed a firm acquaintance with it at university, and we’ve been good friends ever since.
I might even go as far to say I enjoy it.
So when my sister asked me if I wanted to join her hour-long spinning class this Sunday morning, I agreed. I was intrigued to see what the hype was about, and why so many people – my sister included – got inexplicably addicted to cycling nowhere in a dark room. Could I put the madness down to endorphins?

I’d like to mention at this point that the class was being held in Bondi, the vigorously pumping heart of Australia, home to more wholesome, clean-living people than I have ever seen in one place. You’d be hard pushed to find someone who isn’t wearing sports clothes, drinking a power juice, or powerwalking, or doing all three at once.

As I step inside the gym’s spin studio, I get the overwhelming feeling I’m about to board a rollercoaster ride. Everything is dark except for the UV glow of people’s shoelaces, all I can see is row upon row of powerful, sleek machines, and now that I’m in, there’s clearly no turning back.

My body is already preparing for a G-force experience, so I’m quietly eyeing up the safest back row seat, when my sister waves to me from the front row.
There are plenty of other bikes to choose from, and I trudge up the aisle to ask her why she’s chosen there.
‘Oh, I didn’t want to be near the fan,’ she explains.
‘Hmm?’ I take a deep breath and ask her, in my most patient voice, to explain. It turns out that my sister has been told - from a friend who may or may not even be a gym goer - that more sweating equals a better workout.
What?
Now, I may be wrong, but I think the logic of that has been lost in translation somewhere. I try to explain to my sister that I don’t think a fan would put her fitness in jeopardy, but she waves my explanation off, and by now it’s too late for me to move. So I just roll my eyes (somewhat pointlessly in the dark) and slot my feet into the pedals, trying to fumble my towel, keys and bottle into the holder without dropping anything. It’s the first time I have been in the front row since I was forced to in Year 3, and I quickly remember why I hate it so much.

The room is already heating up and looking around, I see why. Most people are already cycling ferociously in a pre-warm-up warm-up, and some are even discussing/boasting about the classes they’ve just come from. I marvel at the sight of them. They’re like a completely different species.

When the instructor gets going on the mic, and the first bassy remix starts booming through the speakers, it no longer feels like a rollercoaster ride. It’s now the back room of a nightclub, Saturday, at about 3 in the morning. The time when it’s pretty much empty, save for the group of hard-core, still-drunk dancers still making shapes on the dance floor. I half expect to see some sullen-faced cleaner going around with a black bin liner, picking up plastic cups and half-empty bottles of VK Blue.

Thoughts like these run through my mind as I’m repeatedly wrenched out of my comfort zone and looking desperately for distractions. Every time the instructor tells me to turn the resistance dial up, I’m reminded of those torture machines that stretch out their victims, cranking the wheel round, inch by painful inch.

But after a while, the instructor’s positivity becomes oddly contagious, because I find myself - in a deeply uncomfortable way - enjoying it. This enthusiasm quickly wanes about halfway in (I can only assume we’re halfway – can’t read my watch), because by now I’m absolutely roasting and I’ve drunk all my water. The faces and arms of everyone around me are shining with sweat, and I’m envious. Even on the verge of collapsing off the bike, I’m still bone dry – not because I’m fit in the least, but because my body apparently doesn’t know how to cool itself down like normal people. By now, every pore of my skin feels like it’s out of breath. Every time a gust of wind from a neighbouring fan blows my way, I feel a sort of boundless joy that I only ever experience walking down a refrigerator aisle during a heat wave. It also looks like I’m not even working half as hard as the others, to the point that I’m getting paranoid the instructor is judging me. It’s just not fair.

But I’m getting more and more lightheaded by the minute, and soon, I stop caring. I stop thinking about anything at all. In fact, it takes me a while to realise the class has ended, and I only realise when people start to leave, no doubt on their way to another class, their towels sodden, their skin still enviably glossy.

I turn to say something to my sister – expressing my need to find water, or a patch of floor to collapse on - but my words come out as a nonsensical giggle. I try again and fail. Great. Whilst everyone else is experiencing that post-workout ‘rush,’ I seem to be entering the early stages of delirium. I use my towel to pat the pathetic dampness on the back of my neck and wonder whether I’m going mad. In answer to my question, the instructor comes over and asks me what I thought. Before I know what I’m saying, I tell her that I loved it. And that I’ll definitely be booking in for the next session.

Tomorrow.


The weirdest thing is, I really mean it.

Friday, 8 November 2013

News and Celebrations...

Ah, November.
It seems only yesterday we were cracking on with the course, beginning to experiment with different types of fiction - laughing with CJ, discussing some book or other with Steve or asking our Mama Bear Julia for advice and support. (Lucy came later, as she was in Australia).
Now we are all grown up writers and yesterday evening (technically two yesterday evenings ago) we saw one of us named as Most Promising Writer of the Year by the United Agents Prize, hosted by the lovely and excellent Jodie Hodges.
The winner this year was the uber-talented Bec Treveil (watch this name, you guys) whose intriguing concept of Girl Who Can Smell Emotions (someone will have to tell me the title at some point) charmed Jodie's ninja-agent instincts with it's wonderful use of voice and intriguing concept... The equally excellent Lucinda Murray was also awarded an honorable mention for her beautiful prose.

Of course, now that we're here this means that the Writing For Young People class of 2013 has officially finished (if not graduated). This means nothing so very much as we won't be able to see each other in person at mutually convenient times, but I for one know I have made some very good friends for life.
THANK YOU EVERYONE.
YOU ARE ALL BRILLIANT AND I CAN'T WAIT TO BUY YOUR BOOKS.

J xxx

PS. In other news, this blog has to date achieved 2010 hits! How awesome is that??


Saturday, 2 November 2013

Demons, Daim Bars and Good Advice: The long-awaited interview with Sarah Rees Brennan...

Yael and I met Sarah Rees Brennan on Blackfriars Bridge, one late July evening.


Like all stories, the beginning comes a little before that point.

I’ve been a fan of Sarah since before she was published, back when she blogged about her road through publication and kept livejournal rolling in the aisles with regular updates of wit (sidenote: this still happens), and repeatedly threw her books at Yael until she agreed to read them.

[Yael: You will now go read them too, if you know what’s good for you.]




Sarah Rees Brennan is the author of the Demon's Lexicon trilogy and the Lynburn Legacy trilogy. She's also collaborated with other big name YA authors, such as Cassandra Clare and Justine Larbalestier, is vocal about diversity in YA*, and feeds on the tears of her readers. Inevitably, we had to meet her, and we had to interview her for the blog.